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The film depicts the unfolding relationship between Bob Geldof, who had the vision for the concert, and Harvey Goldsmith, the concert promoter who helped Geldof make the vision a reality. Domhnall Gleeson’s portrayal of Geldof is superb; he nails the accent, the slouch, the haunted look, the bloody mindedness and the hair. It seemed to me the hair was a visual metaphor for Geldof’s emotions. The more upset and frustrated he became, the wilder his mop of hair, until by the day of the concert when it was completely out of control. Gleeson gives us the ramshackle prophet, not the plaster saint, raging against the plight of millions facing starvation while the world shrugged its shoulders in apathy.
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The most striking aspect of the film is the reminder of just what a seat of the pants enterprise Live Aid was. Geldof, blustering and blagging his way through press conferences, promising performances from artists who’d never heard of the concert, making commitments without a clue how they would be delivered. The interviews and documentaries I’ve seen about Live Aid over the years confirm that this is an accurate picture. Even at the last moment, with Live Aid well under way in both London and Philadelphia, it looked like the event would fail in its purpose. People were watching the bands but weren’t committing their money and so in a desperate effort to drum up donations Geldof did a live interview. Part way through he loses his temper and makes an expletive ridden demand for money. I remember the jolt of electricity hitting me as I heard his words at the time and I remember the response as the cash began to flood in.
Geldof has plenty of critics and I’m sure he’d be the first to admit his faults, but there are many people alive today because of what he and Goldsmith achieved with Live Aid.
No apologies for showing one of my favourite clips…
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