UP 3D

A beautiful, heart warming story that really does deliver at every level. Rarely does a film have our whole family wiping away the tears, but Up managed it in the first ten minutes. The story follows the developing friendship between an old man called Carl, and Russell a young adventure scout, set against the background of surreal and yet captivating action. Among the themes explored are: bereavement, old age, family breakdown, childlessness, disillusionment, unfulfilled dreams and environmental exploitation. It is so refreshing to watch a film devoid of cynicism and free from contrived sentimentality.

Occasionally animators manage to capture in a few short scenes the joys and sorrows of life with a sensitivity missing from most other films. One family favourite is the story of the cowgirl Jesse in Toy Story 2 set to the song When Somebody Loved Me; it is heartbreaking. The opening montage in Up, unfolding the relationship between Carl and Ellie Fredricksen is perfectly judged, full of humour and heartache and almost a complete film on its own, though it lasts about five minutes.

The main story is an adventure in which Carl ties thousands of balloons to his house to float away from impending eviction and life in an old people’s home. Russell accidentally ends up coming along for the ride and the two find themselves landing near Paradise Falls, somewhere in South America, the place Carl and Ellie had always dreamed of visiting. There they meet Muntz the long lost adventurer that Carl had looked up to as a child, only to discover he is not quite the hero he appeared in the old cinema newsreels. There’s plenty of straight forward action and laughter to balance the more subtle emotional moments in the film.

It’s refreshing to see a film in which the central characters are so ordinary; a curmudgeonly old man and a rather overweight and seemingly unexceptional child who nevertheless proves to be courageous, loyal and compassionate - so different from the classic Disney heroes and princesses.

The only concern I’ve read raised about Up centres on the use of 3D. I certainly think you could watch the film in 2D and the film wouldn’t be diminished in any way, but it was great fun for us as a family putting on the 3D glasses and it made the cinema trip feel like more of an event. Having said that the trailer for A Christmas Carol really showed off the 3D technology to great effect and meant that the 3D impact of the feature film was somewhat flattened.

Up is a superb example of the high quality animated films being produced today. It’s a great family film with plenty to hold everyone’s attention and we floated out of the cinema uplifted by the whole experience.

reading old age

Hope I die before I get old; the line from The Who’s My Generation often pops into my mind when I hear matters of old age being discussed. Roger Daltrey and Pete Townsend haven’t had their wish fulfilled, though their two chums from the band were not so lucky. Last week the High Court upheld the law that allows businesses to make employees retire at 65 without any redundancy pay. The case had been brought by Help The Aged and Age Concern and, although their bid was unsuccessful, the judge did say there was a case for raising the compulsory retirement age.

I’ve been thinking quite a bit about retirement recently. When I was ordained, clergy could receive a full pension after 37 years service and this meant I would get a full pension at 65 (2025). Then a couple of years ago the rules were changed and I worked out I need to keep going until I’m about 67. Sitting on my desk is the latest consultation document on changes to the Clergy Pension Scheme in preparation for a likely General Synod debate in February 2010 and suggestions include moving the pension age to 68 with a full pension after 43 years service. Don’t get me started on the challenges many colleagues face in buying a retirement home once they finish work and have to move out of their parsonage house.

Perhaps I need to be thinking less of My Generation and more about U2’s song Dirty Day and the line borrowed from Bukowski ‘The days run away like (wild) horses over the hill’. I can see my retirement disappearing over the horizon faster than I can say Additional Voluntary Contributions. Of course, what we stipendiary clergy are facing are the realities that most other employees must come to terms with, unless they happened to have bankrupted a major financial institution and headed over the hills with a massive guaranteed pension. The truth is that many people are looking forward to their retirement and old age, not in the hope of enjoying the golden years, but with genuine concern and even fear.

In July I attended a conference on the Learning Church with other colleagues from across the country including; Theological College and Courses staff, Continuing Ministerial Development Officers and Diocesan Adult Education Advisers. You might be tempted to think of one of Dante’s Circles of Hell and at times it felt like it. However, there were some highlights and one contribution in particular resonated with my thinking about retirement and old age.

James Woodward was until this year Director of The Leveson Centre for the Study of Ageing, Spirituality and Social Policy. In a fascinating session entitled ‘Reading Old Age’ James presented some reflections on what emerges when we listen to the voices of old age and how that can shape and challenge our theology. This was done by introducing us to four narratives drawn from his extensive reading in the United States while on sabbatical. The four stories made for challenging listening and offered much food for thought; here are some of the observations that I jotted down:

The Journals of May Sarton at Seventy: May is a poet and author who writes about the inevitability of old age and reflects on the unsolved, painful mistakes and reasons for shame and woe. Yet, May also comments that she is ‘more myself than I have ever been’. Constant themes are downsizing and uncluttering and the need for ‘nurturing thankfulness’.

The thing about life is that one day you’ll be dead; David Shields. This book is a biography of Shields’ own body and a narrative of his Father’s old age; much graphic physical detail and the challenge to listen to one’s own body and the wisdom that exists in it. There is a term used in the United States called ‘successful aging’, how do we judge what is fulfilling and what makes us happy? Man is a ‘pleasure seeking missile’ and we must resist giving in to the inevitability of how things should be. We need to live with the possibility of change as part of the narrative. ‘Everyone tries, no one wins, everyone dies’.

The Last Gift of Time – Life Beyond Sixty; Carolyn G. Heilbrun. Carolyn determined that she would end her life by the age of 70 and reflects on some key questions:

• Why is it good to be old?
• Can we be ourselves?
• What freedoms are there in old age?
• Will old age be conventional or unconventional?

The writer observes that the circle of friends in old age is enriched by a range of ages; she is challenged by the issue of memory and asks why so few can live in the present? Carolyn observes that in the last decades memory prevents us looking at what is in front of us in the present and she sees memory as a ‘useless distraction’. The author did take her own life which raises the question of how her suicide affects a reading of her book and what she left unsaid.

The Bill from My Father; Bernard Cooper. This is a memoir about the relationship between the author and his father. One day Cooper senior presented Cooper junior with a bill for all it had cost to bring him up and demanded repayment; the bill came to $1.7 million! Much of the book is a reflection on the horrors of the onset of dementia and the perpetual question of who shapes our story?

Four quite different stories connected by themes raised in contemplating old age and all of them remind us that we have a long way to go in our theology and praxis when it comes to this issue.